Audience Faint Watching Play About 'Love' At The National Theatre

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Five people lost consciousness while watching a play at the National Theatre on London’s South Bank.

The production of “Cleansed” by Katie Mitchell is based on a play by Sarah Kane and depicts scenes of torture, rape and violence.

The director said she believed the play was more about love than violence, with the “durability” of the unfortunate participants’ affections being tested.

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The BBC reports:

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People were warned of “graphic scenes of physical and sexual violence” in promotional material, the theatre said.

Up to 40 people reportedly walked out of the production which depicts a character having their tongue cut out.

Cast’s nightmares

Sarah Kane has been described as one of Britain’s most influential playwrights and killed herself aged 28, a year after Cleansed was first staged at the Royal Court in 1998.

The play is set in a university campus and draws on the torture chambers of the former Yugoslavia, during the civil war, for inspiration. It features a gay couple, a young woman and a dancer who are tortured by a doctor on stage in an attempt to test their love.

Fast facts:

The National Theatre is publicly funded and showcases established playwrights and new writers, its hits range from Hamlet directed by Laurence Olivier and starring Peter O’Toole, to Jerry Springer the Opera to War Horse
It was founded in 1963 and moved from The Old Vic in Waterloo in 1976 to its current home on the South Bank
Famously, about 100 people fainted and walked out of a Royal Shakespeare Production of Titus Andronicus at the Globe in 2014

In a Front Row interview for BBC Radio 4, the play’s director, Katie Mitchell said the cast had experienced nightmares as a result of the performances.

She said: “We have to laugh a lot, in order to balance the despair and the darkness of the material.”

“We all dream huge nightmares, everyone has very strange nightmares, where very extreme events takes place,” she continued.

The reason for wanting to stage the play now, she said, was partly as a result of a new political structure at the National that sought to promote women’s work.

‘Durability of love’

“Reviving a play as powerful as Cleansed, by a young woman, is very much fulfilling that new, feminist remit,” the director said.

Although it depicts a character having their tongue cut out and placing their hands in a shredder, she said the play was “not about violence, it’s about love.”

“All of the torture going on is led by a doctor who is making tests about love, its durability. The gay couple in it, the durability of their love is being tested and they are being tortured to see whether their love will survive.”

Responding to claims that up to 40 people had already walked out of the performances at the National, she said culturally there was very little tradition in Britain of portraying the violence and atrocity on stage of world events.